![]() ![]() Just hammer on it and keep hammering at it and then, as I say, eventually something'll happen. I'll just have to sit down with a recording and hammer it out too. ![]() I can play the head for Anthropology, but for some reason the head to Oleo seems really hard. ![]() Personally, it's not the changes that gives me problems. IMO, when it's time to play it on stage, it might go by so fast that you won't have time to think about the next chord, so the only way is to make it a part of you so you don't have to think at all and just listen to music inside. Do til it oozes out of your pores and you can play it without batting an eyelash and then crank up the tempo some and do it all over again. Art Farmer, trumpet Hal McKusick, flute, alto sax Bill Evans, piano Barry Galbraith, guitar Milt Hinton, bass Paul Motian, drums. Slow it down, use Band-in-a-Box with the changes from the Real Book if you have to, and keep playing chord tones as Damon says. To me, there's only one way to get it, and that's by practicing hard on it especially something like this that's kinda hard to grasp at first. they work for many many songs, Anthropology, Oleo, Chasin' the Bird, Dexterity, Salt Peanuts, Steeplechase, etc. As everybody said above, it's Rhythm Changes. ![]()
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